Sunday, January 1, 2012

Seminar The Tableau Form: methodology and composition Jean-François Chevrier

Seminar

The Tableau Form: methodology and composition

Jean-François Chevrier

BA/MA/PhD Fine Art

Central Saint Martins, Kings Cross room B301

Tuesday 18, Wednesday 19 and Thursday 20 October 2011.

For many years Jean François Chevrier’s writing and curatorial work has occupied an important discursive position in relation to artistic practice and literature and in particular in terms of photography, historically as well as in relation to contemporary practices. Since 1988 he has been a professor at the École nationale supérieure des Beaux-Arts in Paris. Among his recent publications is a monograph on Jeff Wall (2006) and seven volumes of collected writings to be published by L’Arachnéen between 2010 - 2013.

He will be presenting a paper as part of the Tableau: Painting Photo Object conference (which is a collaboration between CSM and Tate Modern) taking place on Friday 28 and Saturday 29 October 2011. As preparation for this paper he will be giving this 3 day seminar that is open to BA, MA, Mres and PhD students from the School of Art. This reflects his belief that pedagogy is a fundamental and active aspect of his research methodology. Spaces will be limited and booking is essential.

The seminar is composed of 3 distinct sections:

1. A session that discusses the idea of tableau form in terms of questions of composition.

2. A session entitled methodology exploring the underlying logic of the seminars in terms of ‘empirical method’. This session will include references to French literature but all the session will take place in English.

3. A session that is a discussion about, and in front, of student works.

The seminar cycle will take place over 3 days in the following configuration:

Tuesday 18 October 2011

10.30: seminar 1, part 1

14.00: seminar 2, part 1

Wednesday 19 October 2011

10.30: seminar 1, part 2

14.00: seminar 3 (group crit),, part 1

Thursday 20 October 2011

10.30: seminar 2, part 2

14.00: seminar 3 (group crit), part 2

There will be a core group of 12 students who will have to attend all the sessions and will also present work for discussion in the crit sessions in section 3 of the seminar. In addition to this group other students are invited to book for sessions as audience, either for the entire cycle or for individual days. All the seminars will take place in the MA Hub (room B301) on the 3rd floor of the Kings Cross site in which there is seating capacity for 60.

This seminar is part of the Tableau Project. For further information on past activities visit http://tableauproject.blogspot.com where you will find videos of the presentations from the research component of the project.

The Conference at Tate Modern, taking place on Friday 28 and Saturday 29 October 2011, will be in 2 parts.

· Day 1 will have keynote presentations by Philip Armstrong, Fulvia Carnevale (a member of Claire Fontaine), Jean-François Chevrier, Michael Fried and Michael Newman.

· Day 2 will be a presentation of research papers attached to the project that are a product of the Tableau Project’s research seminars. These will be given by Moyra Derby, Adi Efal, Françis Gaube, Atsuhide Ito, Cédric Loire and Andrea Medjesi Jones. Further information on the Tate Modern event can be found at: http://www.tate.org.uk/modern/eventseducation/symposia/24490.htm .

Booking for this event is strongly advised at: https://tickets.tate.org.uk/performancelist.asp?ShowID=4366&Source=web

Friday, September 16, 2011

Tableau: Painting Photo Object conference


Tableau: Painting Photo Object


Friday 28 October 2011, 10.30–17.30
Tate Modern
Saturday 29 October 2011, 10.30–17.30

Why do so many contemporary artists, working across all media (paintings, photographs, objects, installations, live art), build on pictorial traditions of image construction to set the scene for new narratives? Variously described as tableau, dispositif and apparatus, these related conditions have been analysed by some of the most incisive thinkers on contemporary art and form the subject of this symposium.
The word tableau does not seamlessly translate into painting as witnessed in its central use in Michael Fried’s Why Photography Matters as Art as Never Before 2008. It has come to stand for a series of discourses that address questions of artistic practice, the status of the art object and questions of spectatorship.
The centrality of tableau to recent discussions about photographic artistic practice is preceded by its presence in France in discussion around an expanded field in painting. Jean-François Chevrier has alluded to the return of tableau as a term and its possible implications in The Adventures of the Picture Form in the History of Photography. Here the idea of tableau as ‘image-object’ provides a means to explore a structural relationship between painting and photography as associated pictorial forms. In relation to this, the concepts of apparatus and dispositif (associated with Althusser, Foucault and Agamben) bear many structural similarities to these emerging formulations of the tableau where questions of ideology and signification are at work. The increasing use of all three terms in critical visual art practices is the basis for the papers in this conference.
Keynote presentations by Philip Armstrong, Fulvia Carnevale, Jean-François Chevrier, Michael Fried, Michael Newman and research papers by Moyra Derby, Adi Efal, Françis Gaube,Atsuhide Ito, Cédric Loire and Andrea Medjesi Jones.
In collaboration with Central Saint Martins, University of the Arts London

With additional support from the Institut Français, London
Tate Modern Starr Auditorium
£30 (£20 concessions), booking required

For tickets book online
or call 020 7887 8888.

Thursday, June 30, 2011

Video documentation of the papers for Fragments, Openness and Contradiction in Painting and Photography Research Symposiums


Each presentation is in 2 parts, click on the relevant link. For the transcript of Mick Finch's introduction click here.











Christina Cojuna
"Limit within Image"




Morya Derby
"Depth as Breadth in Rotation"





Adi Efal
"The two faces of the figure: plastic and philological"





Françis Gaube
"Thickness and Surface: towards a painterly space"




Atsuhide Ito
"Photographic fragments in contemporary painting"




Cédric Loire
"What do images do to painting, what does painting do to images?"




Andrea Medjesi Jones
"A Shock to Thought -- conditions of the emerging image."




Alexandra Oliver
"Illuminating Obscurity: an interpretation of the relationship between Jeff Wall and Manet."




Bettina Reiber
"Theorising Painting: Modernism, Hegel, Heidegger"




These symposia took place on Saturday 27 November 2010

and

Saturday 21 May 2011
at

Central Saint Martins

College of Art and

Design.

Click here for more details about the Tableau Project.